In 2024, our cinema turned 100 years old: on December 17, 1924, the Belgoskino film studio was founded.
Belarusian Independent Film Academy (BIFA) conducted a poll on the best Belarusian films of all time, inviting 49 experts: directors, film scholars, film critics, curators and others. Here are the 50 films that received the most mentions in individual lists.
A teenage villager joins a partisan unit and finds himself in the hell of war.
Hypercinema as an embodiment of hyperliterature, discovered and recorded by Belarusian authors — anonymous film critic, film scholar and cultural scholar
Moscow International Film Festival |
Golden Prize and FIPRESCI Award, 1985
Venice International Film Festival |
special screening, 1985; Best Restored Film Award, 2017.
A Red Army soldier forces a young man to join the partisans. A Belarusian peasant woman nurses a German soldier. A partisan gains the trust of an anti-communist’s small son.
A subversion of the Soviet cliche of the ‘partisan republic’ in the form of a grotesque depiction of the `partisan land` — anonymous art scholar
International Film Festival Rotterdam |
out-of-competition program, 2004
Moscow International Film Festival |
Perspectives program, 2004
Karlovy Vary International Film Festival |
East of the West competition program, 2005
On an assignment from the partisans, a youth goes to the village mechanic to get explosives.
This film is probably the most important one for me. It’s not even about the war but about the unique trait of a Belarusian to remain a friend only to oneself, when the West and the East constantly interfere with their life — Artem Lobach, director
Vienna International Film Festival |
retrospective program, 2019
A hooligan gang from a railway worker’s settlement chases urban hippies, metalheads, and neo-Nazis.
There haven’t been such times of freedom in Belarus since. Several generations have passed, but, just like the film’s protagonist, haven’t been able to formulate their life principles — Maxim Bujnicki, director
A former teacher, handing out flyers for a living, buys a lottery ticket, hoping to get from Mazyr to the Maldives.
The tenderness and poetry of the Belarusian everyday — Mikhal Sandyga, film critic
Minsk International Film Festival “Listapad” |
Best Feature Film in the National Competition, 2017
FIDMarseille |
First Film Prize, Renaud Victor Prize, Special Mention in the International Competition, Special Mention for Marseille Espérance Prize, 2018
A Minsk DJ has to spend a week in a small town in order to get a U.S. visa.
A cheerful coming-of-age hipster comedy that consciously plays with all possible post-Soviet clichés. The Olivier-salad-in-the-kitchen montage, set to the 1990s house music, is an ironic spectacle of rhythm and color — Heleen Gerritsen, goEast film festival director
Karlovy Vary International Film Festival |
East of the West competition, 2018
Odesa International Film Festival |
Grand Prix “Golden Duke,” 2018
London Film Festival |
out-of-competition program, 2018
A communist grandfather and his stripper grandson live in the same apartment where they argue about life and the country.
A touching tale of coexisting contrasts, about how the past captures the future, and how the present is torn with dreams brutally clashing against reality — anonymous art scholar
goEast International Film Festival in Wiesbaden |
FIPRESCI Award, 2019
Hot Docs Canadian International Documentary Festival |
out-of-competition program, 2019
Minsk International Film Festival “Listapad” |
Special Jury Prize in the Documentary Competition, 2019
Zahar Kudin transfers accidental communal services art from building walls onto canvas. Passersby ask him questions.
A portrait of an artist that became a portrait of the country — Mikhal Sandyga, film critic
Krakow Film Festival |
Polish Documentary Film Competition, 2019
Riga International Film Festival/Artdocfest |
Best Director Award, 2019
Minsk International Film Festival “Listapad” |
Special Diploma from the Guild of Film Scholars and Critics of the Belarusian Union of Cinematographers, 2019
Winner of the Belarusian Film Critics Award “Red Heather” for Best Documentary Feature Film |
2022
DI Factory, TVP, Square Film Studio, Volia Films – Belarus, Poland.
Pure Art
Maksim Shved, 2019
10-15
High schoolers from a war-torn city celebrate the victory and make humble plans for the future.
A magnificent and melancholic masterpiece of world-class modernist cinema about the quiet happiness of new life after the apocalypse — Nikita Lavretski, director
Brothers from a village set for demolition feud over future city real estate, as well as the wife of one of them.
It highlights the problems of urbanization and disconnection from roots through complex life experiences and love stories — Andrei Karalevich, producer
An elderly rural couple endures the abuse of the Germans and their collaborators, as they recall the pre-war abuse by the communists.
Mikhail Ptashuk is like Ridley Scott: you may not like what he directs, but it’s impossible to deny that he’s a great director — Alena Soika, journalist
A nurse, a telephonist, a partisan, and other women share their stories of cruelty, love, and routine in wartime.
The best Belarusian television series from the titan of documentary cinema [Viktar Dashuk] and the Nobel laureate [Svetlana Alexievich] — Maksim Shved, director
DOK Leipzig International Festival for Documentary and Animated Film |
“Silver Dove,” 1983
An incel aesthete invites unsuspecting girls to his dacha to lose his virginity.
A very hipster film that captures the era of ‘nepo babies’ well. Yes, fashion in Belarus is unique, and our hipsters are unlike others — Tanya Svirepa, director
Minsk International Film Festival “Listapad” |
Best Feature Film in the National Competition, 2015
goEast International Film Festival in Wiesbaden |
special screening, 2016
A poor boy and a wealthy peasant’s son vie for a girl’s attention in a Polesian village set for Soviet land redistribution.
When they were filming this movie, I wasn’t born yet. And when I arrived in Belarusian Polesie, I felt like I was in a living museum. For me, this film isn’t about the script or dramaturgy. I watch it as a documentary; it’s about what’s in between — Artem Lobach, director
Karlovy Vary International Film Festival |
Best Ensemble Cast Award, 1982
A ghost in a white mask and red dress silently watches the march of the Belarusian rebellion.
One of the most touching and poetic documentary essays on the Belarusian rebellion of 2020 — Aleksei Borisionok, curator
International Film Festival Rotterdam |
press and industry screenings, 2022
Artdocfest International Film Festival in Riga |
Special Jury Mention, 2022
Tallinn Black Nights Film Festival |
out-of-competition program “Flowers are not silent. Resistance films of Belarus,” 2022. Winner of the Belarusian Film Critics
Award “Red Heather” for Best Documentary Feature |
2024
Les Steppes Productions – France, UK.
Mara
Sasha Kulak, 2022
21-26
A young orphan and her widow neighbor, left destitute, turn to sex work.
It was a revelation to me that something like this could be filmed in Belarus, a country that was under strict censorship for most of its existence — Tanya Svirepa, director
Incarcerated women are rehearsing a play about psychiatric hospital patients as part of a social project.
A documentary from the Homyel prison, in which the author broke through seemingly impenetrable walls to show the world inside through a very touching and human lens — Mara Tamkovich, director and screenwriter
IDFA International Documentary Film Festival Amsterdam |
First Appearance Competition, 2017
Krakow Film Festival |
Special Jury Mention, 2018
Winner of the 1st National Film Awards of Belarus for Best Non-Fiction Film |
2018
PervajaKinoVideo Company – Belarus.
Debut
Anastasiya Miroshnichenko, 2017
27-32
Four partisans head to carry out a pointless order to blow up a useless village bridge.
An adaptation of Vasil Bykaŭ’s novella, in which the official partisan myth is deconstructed once and for all — anonymous cultural scholar
The national poet mysteriously dies, crashing onto the granite floor of the Moskva hotel. The explanation lies in his entire biography and creative journey.
The most phenomenal leak of a film in our part of the world. The leak happened at the perfect moment and turned the film into a distinctive social phenomenon that resonated with the zeitgeist — Antos Sivyh, artist, inventor and filmmaker
Belarusfilm – Belarus.
Kupala
Vladimir Yankovskiy, 2020
27-32
An orphaned boy unlocks terrifying memories from the “kinderheim” concentration camp upon attending a trial of collaborators.
Belarusfilm – USSR
The Witness
Valeri Rybarev, 1986
27-32
Actors from an underground theater take part in peaceful protests before contemplating emigration.
A very touching portrait of the mass protests against Lukashenko’s election fraud in 2020. I still can’t understand how the cinematographers managed to capture such aesthetic images in the middle of turmoil — Heleen Gerritsen, goEast film festival director
Berlin International Film Festival |
Berlinale Special program, 2021
CPH:DOX Copenhagen International Documentary Film Festival |
out-of-competition program, 2021
International Documentary Film Festival Amsterdam |
out-of-competition program, 2021
Winner of the Belarusian Film Critics Award “Red Heather” for Best Documentary Feature |
2024
Living Pictures Production – Germany.
Courage
Aliaksei Paluyan, 2021
27-32
33–50:
On the last day of school break, a boy scrolls through memes, strolls along Kastrychnitskaya, and discusses stand-up comedy with friends.
I had a day just like that — Andrei Kashperski, director
Minsk International Film Festival “Listapad” |
National Competition, 2019
Film Festival Cottbus |
out-of-competition program, 2020
Nikita Alexandrov & Yulia Shatun – Belarus.
The Last Day of This Summer
Nikita Alexandrov & Yulia Shatun, 2019
After meeting with feminists in Berlin, Belarusian women filmmakers talk to ordinary working women across the former USSR.
A devastating portrait of the Soviet Union in collapse, from a feminist point of view. Raw, horrifying, powerful. One of the most important films to come out of the so-called ‘Post-Soviet’ region — Heleen Gerritsen, goEast film festival director
Berlin International Film Festival |
Panorama program, 1993
goEast International Film Festival in Wiesbaden |
retrospective program, 2022
A group of archaeologists, led by future politician Zianon Pazniak, discover a mass grave in a forest near Minsk.
This is how I imagine a classic Belarusian documentary: deeply important for the world and crucial for understanding why we Belarusians are the way we are; tragic, with legendary protagonists. And also one that most people haven’t seen and won’t watch — Maksim Shved, director
State Prize of the Republic of Belarus named after Kastus Kalinowski |
shared with Mikhail Zhdanovsky’s films Larks of Belarus and Memoirs of Mikola Ravienski, 1994
Letapis Studio, Belarusfilm – USSR
The Road to Kurapaty
Mikhail Zhdanovsky, 1990
Villager Ivan comes to Minsk to claim an inheritance from his wealthy uncle but ends up getting scammed.
I choose this film for its eclectic mix: agro-trash, krambambulia, Valadarka prison, paparazzi and groupies, airports and a global conspiracy — Antos Sivyh, artist, inventor and filmmaker
Pyotr Marzev, KinoVideoCompany Alana Korona – Belarus, Russia.
An Ordinary President
Yuriy Khashchevatskiy, 1997
A young poet, traumatized by his mother’s suicide, returns to his hometown and reconnects with his first love.
A very important film made shortly after Belarus gained independence, about the fate of a provincial poet, common for all Belarusian artists — Maxim Bujnicki, director
State Prize of the Republic of Belarus in Literature, Arts, and Architecture |
1996
A village buried under snow comes to life with the birth of a child in a young family.
My favourite film among those made by my teacher — Maksim Shved, director
Krakow Film Festival |
Short Documentary Competition, 2003
DOK Leipzig International Festival for Documentary and Animated Film |
Special Mention in the Short Film Competition, Special Mention by the Ecumenical Jury, 2003
Cinéma du Réel International Documentary Festival |
Best Short Film Award, 2004
Letapis Studio, Belarusfilm – Belarus.
The Wheel
Victor Asliuk, 2003
A timid supermarket guard faces a fateful confrontation with a confident gopnik.
Sad Belarusian humour as it is. I can easily imagine such a story actually happening somewhere in Serabranka — Tanya Svirepa, director
The last uncaptured participants of an anti-Soviet uprising attempt mass suicide in a forest to protect their loved ones.
A feeling of despair, claustrophobia, and confinement – not only in the endless Belarusian forest but also in history — Antos Sivyh, artist, inventor and filmmaker
Belarusfilm – Belarus.
On Black Slash-and-Burn Fields
Valery Ponomaryov, 1995
A former camp guard accidentally meets a former prisoner on vacation and begins reevaluating everything.
The film hasn’t lost its relevance and seems unlikely to for a long time. According to one of the characters, our armored train hasn’t gone anywhere. It’s waiting on a side track. Its dark silhouette will continue to stand there, in our history, until the symbolic act of condemning the former torturers happens — anonymous film festival director
A riot policeman is forced to keep a prisoner at his home. Schoolchildren go on a tour of the KGB. Bureaucrats share a collective prophetic dream. A mother searches for her soldier son, who supposedly never existed.
Funny and tragic — Andrei Palupanau, director, producer and coach
Fantastic Fest in Austin |
Special Jury Mention in the Fantastic Shorts Competition for the episode “Fostering”, 2023
goEast International Film Festival in Wiesbaden |
International Competition, 2024
Tallinn Black Nights Film Festival |
out-of-competition program “In Action: Belarusian Opposition”, 2024
The husband doesn’t know what to do when his journalist wife is sentenced to a long prison term for streaming from a peaceful protest.
Tribeca Film Festival |
International Competition, 2024
International Film Festival of India |
International Competition, 2024
Torino Film Festival |
International Competition, 2024
Media Corporation – Poland.
Under the Grey Sky
Mara Tamkovich, 2024
To her husband’s displeasure, a young Belarusian artist forms a deep friendship with an older Polish painter.
A philosophical contemplation filled with acceptance of the inevitability of death, yet full of desire to live — Natallia Vavilonsakaya, journalist and cultural projects manager
International Documentary Film Festival Amsterdam |
Best Mid-Length Documentary Award, 2018
Krakow Film Festival |
Silver Hobby-Horse for Best Documentary Direction in the National Competition, 2019
Minsk International Film Festival “Listapad” |
Best Documentary Film in the National Competition, 2019
An English businessman, a Vietnamese actress, an African pilot, a couple of hippies, and a Soviet doctor try to survive on a plane hijacked by terrorists.
The only avant-garde anarcho-musical in Belarusian cinema — Mikhal Sandyga, film critic
The mentions of the films Belarusian Proverbs, Papercutting, Once When I Served My Dear Landlord were counted together. In all these works, the traditional Belarusian paper cut-outs (vycinanka) come alive and boldly twist the meaning of the folklore they illustrate.
The folk universe in which one wants to stay — Maxim Zhbankov, media activist and cultural analyst